
Simone de Beauvoir, Chicago 1952. [link]
To be honest, I was a fan of the TV show when it first aired. A female writer living in New York and dealing with messy relationships? Of course I could relate. Of course I was attracted to the glitter, the nightlife, the search for love and the dating psychodramas. ... But the movie made me want to cut myself. It was a showcase for how hollow and soulless these characters were. Do they have hobbies, aside from shopping? Interests? ... I was seriously offended when Charlotte wouldn't eat anything except packaged chocolate pudding on their trip because "It's Mexico." I was also offended by Miranda's rudeness to her nanny and Samantha's "Honey, we can pay people to do the stuff we don't want to do" attitude. Then it dawned on me: These women are assholes. [link]

he says he isn't as funny as he used to be. About fifty percent as funny, maybe less. He thinks, but doesn't say, no, it's you, you're depressed, you don't find anyone funny anymore. She thinks, but doesn't say, I've always been depressed. I've never found anyone funny — except you, once.
The Four Ps thrived in a different world. It was a wonderful fantasy world. Marketers were king. Product differences lasted. Big, obedient audiences could be reached with big, efficient media.
O que é Branding 3.0 / What is Branding 3.0 from Tatil Design on Vimeo.