Showing posts with label writer's amanac. Show all posts
Showing posts with label writer's amanac. Show all posts

Saturday, January 10, 2009

The Conjugation of the Paramecium


by Muriel Rukeyser


This has nothing
to do with
propagating

The species
is continued
as so many are
(among the smaller creatures)
by fission

(and this species
is very small
next in order to
the amoeba, the beginning one)

The paramecium
achieves, then,
immortality
by dividing

But when
the paramecium
desires renewal
strength another joy
this is what
the paramecium does:

The paramecium
lies down beside
another paramecium

Slowly inexplicably
the exchange
takes place
in which
some bits
of the nucleus of each
are exchanged

for some bits
of the nucleus
of the other

This is called
the conjugation of the paramecium.

Sunday, December 28, 2008

you must accept

You must accept that’s who he really is.
You must accept that you cannot be his
unless he can be yours. No compromise.
He is a canvas on which paint never dries;
a clay that never sets; he’s steel that bends
in a breeze; he’s a melody that when it ends
no one can whistle; he is not who
you thought. He’s not. He is a shoe
that walks away: “I will not go where you
want to go.” “Why, then, are you a shoe?”
“I’m not. I have the sole of a lover
but don’t know what love is.” “Discover
it, then.” “Will I have to go where you go?”
“Sometimes.” “Be patient with you?” “Yes.” “Then, no.”
You have to hear what he is telling you
and see what he is; how it is killing you.

-- Kate Light


Você deve aceitar que ele é realmente isso.
Você deve aceitar que não pode ser dele
a menos que ele seja seu. Sem concessões.
Ele é uma tela onde tinta nunca seca;
argila que não toma forma; ele é ferro que se entorta
com uma brisa; ele é uma melodia que, quando acaba,
ninguém sabe assobiar; ele não é quem
você pensou. Nao é. Ele é um sapato
que anda para longe. "Eu não irei para onde
você quer ir." "Então por que você é um sapato?"
"Não sou. Eu tenho a sola de um amante,
mas não sei o que é amor." "Descubra,
então." "Terei de ir onde você for?"
"Às vezes." "Ser paciente com você?" "Sim." "Então, não."
Você tem de escutar o que ele está lhe falando
e ver o que ele é; como está lhe matando.


++++++++

(had to translate this one; fits like a glove.)

Tuesday, June 03, 2008

The Kiss

by Stephen Dunn

She pressed her lips to mind.
—a typo

How many years I must have yearned
for someone's lips against mind.
Pheromones, newly born, were floating
between us. There was hardly any air.

She kissed me again, reaching that place
that sends messages to toes and fingertips,
then all the way to something like home.
Some music was playing on its own.

Nothing like a woman who knows
to kiss the right thing at the right time,
then kisses the things she's missed.
How had I ever settled for less?

I was thinking this is intelligence,
this is the wisest tongue
since the Oracle got into a Greek's ear,
speaking sense. It's the Good,

defining itself. I was out of my mind.
She was in. we married as soon as we could.

middle age

by Pat Schneider

The child you think you don't want
is the one who will make you laugh.
She will break your heart
when she loses the sight in one eye
and tells the doctor she wants to be
an apple tree when she grows up.

It will be this child who forgives you
again and again
for believing you don't want her to be born,
for resisting the rising tide of your body,
for wishing for the red flow of her dismissal.
She will even forgive you for all the breakfasts
you failed to make exceptional.

Someday this child will sit beside you.
When you are old and too tired of war
to want to watch the evening news,
she will tell you stories
like the one about her teenaged brother,
your son, and his friends
taking her out in a canoe when she was
five years old. How they left her alone
on an island in the river
while they jumped off the railroad bridge.

This Kind of Thing Doesn't Happen Often

and When It Does You Should Pay Attention

by John Stone

i thank heaven somebody's crazy
enough to send me a daisy
--e.e. cummings

On Piedmont Road, going north,
before my car there floated forth

a soapy bubble in the traffic,
glistening and holographic.

It drifted down into my path,
this ghostly sphere from someone's bath.

I watched it bob and almost tickle
A Harley-Davidson motorcycle

then rise (as it got quite exhausted)
That's where I left it, fair and frosted.

For this unexpected act
I thank heaven (I think), in fact,

that someone went to all the trouble
to blow me a bubble.

Sunday, March 09, 2008

Moment of Inertia

by Debra Spencer

It's what makes the pancake hold still
while you slip the spatula under it
so fast it doesn't move, my father said
standing by the stove.

All motion stopped when he died.
With his last breath the earth
lurched to a halt and hung still on its axis,
the atoms in the air
coming to rest within their molecules,
and in that moment
something slid beneath me
so fast I couldn't move.

Monday, February 25, 2008

my dream

by Ogden Nash

Here is a dream.
It is my dream—
My own dream—
I dreamt it.
I dreamt that my hair was kempt,
Then I dreamt that my true love
unkempt it.

to Puppy - only he's white

Black Dog

by James DenBoer

Nothing goes on in his head.
It all goes on in his glands,
his muscles, his nose.
He chases every squirrel
every time he sees one,
barks and lunges at every cat;
he'd eat every bit of garbage
on the road if I didn't snap his lead hard.
He doesn't care in a way I can't.
He doesn't confuse past with present;
his only language is what's now
and under his black pads.
He's the perfect one, in fact,
to talk with, in the rain and wind
of January, when winter needs talking to
and writing down to bone-cold.
As with the many names of God,
I repeat his name often-he doesn't know
my name, he doesn't know this
is winter, he doesn't know
he could kill me with those teeth.
He listens to my chatter, my hum,
my chikk-chikk like a squirrel;
my noises keep him interested
and unworried. He scribbles
along the scent of air, his nails click
on wet black stones, he pulls his way
toward red lights on Fair Oaks Avenue,
he leads me back to start.

i love when men crack

by Ellen Bass, from Mules of Love

I love the way men crack
open when their wives leave them,
their sheaths curling back like the split
shells of roasted chestnuts, exposing
the sweet creamy meat. They call you
and unburden their hearts the way a woman
takes off her jewels, the heavy
pendant earrings, the stiff lace gown and corset,
and slips into a loose kimono.
It's like you've both had a couple shots
of really good scotch and snow is falling
in the cone of light under the street lamp—
large slow flakes that float down in the amber glow.

They tell you all the pain pressed into their flat chests,
their disappointed penises, their empty hands.
As they sift through the betrayals and regrets,
their shocked realization of how hard they tried,
the way they shouldered the yoke
with such stupid good faith—
they grow younger and younger. They cry
with the unselfconciousness of children.
When they hug you, they cling.
Like someone who's needed glasses for a long time—
and finally got them-they look around
just for the pleasure of it: the detail,
the sharp edges of what the world has to offer.

And when they fall in love again, it only gets better.
Their hearts are stuffed full as éclairs
and the custard oozes out at a touch.
They love her, they love you, they love everyone.
They drag out all the musty sorrows and joys
from the basement where they've been shoved
with mitts and coin collections. They tell you
things they've never told anyone.
Fresh from loving her, they come glowing
like souls slipping into the bodies
of babies about to be born.

Then a year goes by. Or two.
Like broken bones, they knit back together.
They grow like grass and bushes and trees
after a forest fire, covering the seared earth.
They landscape the whole thing, plant like mad
and spend every weekend watering and weeding.

Sunday, November 18, 2007

Autobiographia Literaria

by Frank O'Hara

When I was a child
I played by myself in a
corner of the schoolyard
all alone.

I hated dolls and I
hated games, animals were
not friendly and birds
flew away.

If anyone was looking
for me I hid behind a
tree and cried out "I am
an orphan."

And here I am, the
center of all beauty!
writing these poems!
Imagine!

Monday, November 12, 2007

Beside the Point

by Stephen Cushman

The sky has never won a prize.
The clouds have no careers.
The rainbow doesn't say my work,
thank goodness.

The rock in the creek's not so productive.
The mud on the bank's not too pragmatic.
There's nothing useful in the noise
the wind makes in the leaves.

Buck up now, my fellow superfluity,
and let's both be of that worthless ilk,
self-indulgent as shooting stars,
self-absorbed as sunsets.

Who cares if we're inconsequential?
At least we can revel, two good-for-nothings,
in our irrelevance; at least come and make
no difference with me.

Thursday, August 30, 2007

Why I Have A Crush On You, UPS Man

by Alice N. Persons, from Don't Be A Stranger.

"you bring me all the things I order
are never in a bad mood
always have a jaunty wave as you drive away
look good in your brown shorts
we have an ideal uncomplicated relationship
you're like a cute boyfriend with great legs
who always brings the perfect present
(why, it's just what I've always wanted!)
and then is considerate enough to go away
oh, UPS Man, let's hop in your clean brown truck and elope !
ditch your job, I'll ditch mine
let's hit the road for Brownsville
and tempt each other
with all the luscious brown foods —
roast beef, dark chocolate,
brownies, Guinness, homemade pumpernickel, molasses cookies
I'll make you my mama's bourbon pecan pie
we'll give all the packages to kind looking strangers
live in a cozy wood cabin
with a brown dog or two
and a black and brown tabby
I'm serious, UPS Man. Let's do it.
Where do I sign?"

Friday, April 13, 2007

they've made my day happier

"Choice of Diseases" by Hal Sirowitz, from Father Said.

Now that I'm sick & have
all this time to contemplate
the meaning of the universe,
Father said, I understand why
I never did it before. Nothing
looks good from a prone position.
You have to walk around to appreciate
things. Once I get better I don't
intend to get sick for a while. But
if I do I hope I get one of those diseases
you can walk around with.

Employed

She just wants to be employed
for eight hours a day. She is not
interested in a career; she wants a job
with a paycheck and free parking. She
does not want to carry a briefcase filled
with important papers to read after
dinner; she does not want to return
phone calls. When she gets home, she
wants to kick off her shoes and waltz
around her kitchen singing, "I am a piece
of work."

The Invention of Fractions

God himself made the whole numbers: everything else
is the work of man.
—Leopold Kronnecker

God created the whole numbers:
the first born, the seventh seal,
Ten Commandments etched in stone,
the Twelve Tribes of Israel —
Ten we've already lost —
forty days and forty nights,
Saul's ten thousand and David's ten thousand.
'Be of one heart and one mind' —
the whole numbers, the counting numbers.

It took humankind to need less than this;
to invent fractions, percentages, decimals.
Only humankind could need the concepts
of splintering and dividing,
of things lost or broken,
of settling for the part instead of the whole.

Only humankind could find the whole numbers,
infinite as they are, to be wanting;
though given a limitless supply,
we still had no way
to measure what we keep
in our many-chambered hearts.

"The Art of Disappearing" by Naomi Shihab Nye from Words Under the Words: Selected Poems.

When they say Don't I know you?
say no.

When they invite you to the party
remember what parties are like
before answering.
Someone telling you in a loud voice
they once wrote a poem.
Greasy sausage balls on a paper plate.
Then reply.

If they say We should get together
say why?

It's not that you don't love them anymore.
You're trying to remember something
too important to forget.
Trees. The monastery bell at twilight.
Tell them you have a new project.
It will never be finished.

When someone recognizes you in a grocery store
nod briefly and become a cabbage.
When someone you haven't seen in ten years
appears at the door,
don't start singing him all your new songs.
You will never catch up.

Walk around feeling like a leaf.
Know you could tumble any second.
Then decide what to do with your time.

(all of them via Writer's Almanac, a current favorite)

Tuesday, April 03, 2007

Unwise Purchases

"Unwise Purchases" by George Bilgere from Haywire.

They sit around the house
not doing much of anything: the boxed set
of the complete works of Verdi, unopened.
The complete Proust, unread:

The French-cut silk shirts
which hang like expensive ghosts in the closet
and make me look exactly
like the kind of middle-aged man
who would wear a French-cut silk shirt:

The reflector telescope I thought would unlock
the mysteries of the heavens
but which I only used once or twice
to try to find something heavenly
in the windows of the high-rise down the road,
and which now stares disconsolately at the ceiling
when it could be examining the Crab Nebula:

The 30-day course in Spanish
whose text I never opened,
whose dozen cassette tapes remain unplayed,

save for Tape One, where I never learned
whether the suave American
conversing with a sultry-sounding desk clerk
at a Madrid hotel about the possibility
of obtaining a room
actually managed to check in.

I like to think
that one thing led to another between them
and that by Tape Six or so
they're happily married
and raising a bilingual child in Seville or Terra Haute.

But I'll never know.
Suddenly I realize
I have constructed the perfect home
for a sexy, Spanish-speaking astronomer
who reads Proust while listening to Italian arias,

and I wonder if somewhere in this teeming city
there lives a woman with, say,
a fencing foil gathering dust in the corner
near her unused easel, a rainbow of oil paints
drying in their tubes

on the table where the violin
she bought on a whim
lies entombed in the permanent darkness
of its locked case
next to the abandoned chess set,

a woman who has always dreamed of becoming
the kind of woman the man I've always dreamed of becoming
has always dreamed of meeting.

And while the two of them discuss star clusters
and Cézanne, while they fence delicately
in Castilian Spanish to the strains of Rigoletto,

she and I will stand in the steamy kitchen,
fixing up a little risotto,
enjoying a modest cabernet,
while talking over a day so ordinary
as to seem miraculous.

via The Writer's Amanac