this one made me smile

Two nicely executed pieces designed for Cuttie Cut, a kids hair salon in Canada. [via]

Advertising Agency: Y&R, Toronto, Canada
Creative Director: David Houghton
Art Director: Zachary Muir-Vavrina
Copywriter: Sussana Forieri
Photographer: Jeremy Kohm

cultural literacy and the "i'm a PC" campaign

Here are some excerpts of a brilliant post by one of my favorites, Grant McCracken, on the Mac vs. PC phenomenon.



Our culture has long been predicated in a simple distinction between the mainstream and the avant garde. This construction helped us understand the bourgeoisie as a group of people committed to convention and la doxa. They are, so the stereotype tells us, nervous nellies who are most reluctant ever to depart from their slavish conformity. Thank God, says the stereotype, for the avant-garde. These are risk takers who care nothing for convention or materialism, who bravely throw their personal comfort and safety to the winds in pursuit of artistic truth and social justice. (...)

Sometime in the 1990s, something happened. Our two-part system exploded. Now in the place of an inside mainstream and an outside avant garde, there was a great fragmentation. The mainstream lost its ability to police the tastes and believes and behavior of most people. The avant-garde lost its ability to control the restless, experimental margin. Both hegemonies lost their coercive power. (...) In the place of our founding duality, there were many groups who deferred neither to the center or the margin They simply went their own way. Yes, of course, they could hear the impatient scolding that came from center and edge, but, no, they weren't much interested. They were now prepared to go their own way. Respectable? Who cared? Hip? Who cared? The distinction was dead. (...)

What I did not see was that there was a cultural opportunity. I did not see it, at least, until Crispin Porter + Bogusky rolled out there "I am a PC" spot. But of course. Why didn't I think of that! There was a third position, created by the great cultural flowering of the 1990s. If Apple was avant garde, the path was clear for Windows to be the new alternative to the alternative. It could step out of the old contest that left it a clueless and bumbling mainstream play. It could embrace the great cultural efflorescence that emerged of the1990s and make itself a brand too concerned with real difference to care about merely hip difference. It could embrace real diversity instead of the single, predictable difference that comes from being cool. It could embrace authenticity instead of a pose. (...)

This is what cultural literacy is good for.

music, aesthetics and the internet

I found this at the always great SwissMiss and I ended up reading the whole thing. The text is brilliantly written by Will Sheff.

"Because my work is the most important thing in the world to me, I sometimes feel uncomfortable about it existing freely in the digital Library of Babel, these songs that I worked so hard writing and revising and rehearsing and recording and mixing (and re-mixing) and mastering (and re-mastering) shucked off the album and thrown up on the internet in hissy and brittle low-resolution versions with no kind of sequence or order, mixed in with odd leaked tracks and some sub-par live versions. In a world overstuffed with stimuli and choking on information, I feel like a musical album should have a kind of purity and a kind of wholeness, that every aspect of an album – from the sequencing to the artwork even down to the typesetting – should feels labored over and loved, and that the finished product should feel like a gift."